Archiwum aktualności 2018

Wednesday, 6^th March 2019

Chamber Hall, 4, 1 Maja Str.
free admission

 


• 10.15-10.30 am – OPENING OF THE CONFERENCE

  Rector, Prof. Dr hab. Cezary Sanecki
  Head of the Department of Music Theory, Dr hab. Ewa Kowalska-Zając, prof. AM
 


• 10.30-12.00 pm – SESSION 1 | MODALITY AS A LANGUAGE OF MUSIC

  Chair – Marta Szoka
  Helmut Loos – The Modes of the Classical Vocal Polyphony in the Conflict of German Music Historiography
  David Kozel – Modality as a Topos of Musical Narrativity
  Michael Deakin – How Do We Know It Is Modal? Appealing to Structure and Temporality
 


• 12.30-1.30 pm – SESSION 2 | ASPECTS OF MEDIEVAL MODALITY

  Chair – Richard Parncutt
  Ewa Bielińska-Galas – Between the Archaic and Evolved Modality: The Pentatonic Scale and the Frankish-Roman Hybridization of the 8^th Century
  Carlos C. Iafelice – „Polyphonic Marchetto”: a Proposal of Modal Analysis Based on Expansion of the „Interruptions” Concept
 


• 1.30-3.00 pm – break

 


• 3.00-4.30 pm – SESSION 3 | REINTERPRETATIONS OF MODALITY IN RENAISSANCE

  Chair – Marek Nahajowski
  Richard Parncutt – The Prevalence/Consonance of Scale Degrees in Plainchant and the Rising Leading Tone in Renaissance Polyphony
  Daniele Sabaino, Marco Mangani – Modal Intertextuality: or How Late-sixteenth-century Composers Re-interpreted and Re-expressed Older Modally-problematic Models
  Julieta González-Springer – Modes and Affections in the Pedro Cerone’s Treatise „El Melopeo y el Maestro”
 


• 4.30-5.00 pm – break

 


• 5.00-6.00 pm – SESSION 4 | VISIONS OF MODALITY IN THE AGE OF TONAL MUSIC

  Chair – Helmut Loos
  Marek Nahajowski – Modality in the Perspective of the 18th-Century Historiography and Music Theory
  Małgorzata Grajter – From Authenticity to Stylization: Processing Modality in the Late Works of Ludwig van Beethoven
 


• 7.00 pm – CONCERT ENSAMBLE ALTA

   
  • detailed concert programe see

Thursday, 7^th March 2019

Chamber Hall, 4, 1 Maja Str.
free admission

 


• 10.30-11.30 am – SESSION 5 | BETWEEN ASIA AND EUROPE

  Chair – Arleta Nawrocka-Wysocka
  Bijan Zelli – Al-Farabi and Modal Rhythmic. Exploring Al-Farabi’s Contribution in Establishing the Modal Rhythmic in European and Middle Eastern Middle Ages
  Tamar Chkheidze – “Old “and “New” Modality in the Georgian Professional Music
 


• 11.30-12.00 am – break

 


• 12.00-1.30 pm – SESSION 6 | IN SEARCH OF NEW MODALITY

  Chair – Ryszard Daniel Golianek
  José Oliveira Martins – Polymodality, Scalar Dissonance and Multi-layered Harmony in Twentieth-Century Music
  Rafael Barbosa – Whole-tone: Scale, Mode, or Pitch Space? New Insights on Berg’s Early Atonal Music
  Teresa Malecka – Modality and its Expressive Function in the Music of Henryk Mikołaj Górecki
 


• 1.30-3.30 pm – break

 


• 3.30-5.00 pm – SESSION 7 | ASPECTS OF MODALITY IN THE 20^TH CENTURY MUSIC

  Chair – Teresa Malecka
  Michal Ščepán – Modality and the Slovak Musical Avant-garde
  Robert Michael Weiß – „C is where F should be on the Piano Keyboard…” The Notion of Mode and Scale in George Russell’s Lydian Chromatic Concept compared to Josef Matthias Hauer’s System of the 44 Tropes.
  Zbigniew Granat – Problematising Modal Jazz: On Stylistic Ambiguities of Two Tracks from Miles Davis’ album Kind of Blue
 


• 5.00 pm – FINAL DISCUSSION

 


• 7.00 pm – CONCERT ENSEMBLE FILATURA DI MUSICA

   
  • detailed concert programe see

• CALL FOR PAPERS download .pdf file